Bury that manuscript in a drawer or rewrite it?

diehl - photo-2Our guest post today comes from Lesley Diehl, a retired professor of psychology. She splits her time between upstate New York where she and her husband are renovating an 1872, ghost-inhabited cottage, and old Florida where spurs still jingle in the post office and gators make golf a contact sport.  Today, she asks the question, Bury that manuscript in a drawer or rewrite it? 

The Self-publishing Jitters

Here’s the dilemma.  Open up the file on that old manuscript you never got published, read it, and send it to the trash bin, or at least, file it under “yuk!” and forget it.  Or you could read it through, realize how bad it really was, heave a sigh of relief that it never was published, saving you the embarrassment of all those one star reviews, and then…  Read it again.  Maybe the characters were interesting, but need more depth.  Their motivation for trying to solve the crime may be weak.  Perhaps the plot is thinly drawn, too simplistic or too convoluted for a reader to follow.  The pacing may be too slow and more tension is required to keep the reader’s interest.  You could rework it.  Naw!  But before you press the delete button, reconsider.  I did.

 Here’s my confession.  I took the very first manuscript I wrote, and began revising it several years ago, using the time between writing others to work on the old one.  I had several readers take a look at it, I revised again, and just this month I published it.  And, yes, I wake up in the middle of the night wondering if I should locate the “unpublish” button and press it.  Of course I’m nervous about this work.  It was my first attempt at a mystery.  I have a blog tour for it coming up in May.  Until then I probably won’t know how readers will receive it.  I’m taking a chance, and I know it, and I’m terrified.

 Write what you know is always sage advice, so I did just that.  This book is taken from my life before writing, when I was a faculty member and administrator at several colleges and universities. I spent over 25 years in academie, so it’s familiar to me.  I loved being in the classroom, and I loved doing collaborative research with my students.  But like any other place trying to survive in a world where resources are becoming scarce, institutions of higher learning are competitive environments where faulty vie for promotions and they don’t trust administrators any more than administrators trust them.  Having been on both sides of the fence, I know how difficult life on campus can be. 

 Given the atmosphere of the college campus, is it any wonder that, in my first attempt at fiction I killed off a college president and then took down one of the faculty?  To my credit, when I reworked the manuscript I reduced it from over 100,000 words to around 70,000.  Most of those words were located in long convoluted sentences that described in too much detail the inner life of faculty and staff.  I left students alone.  They suffer enough trying to pass their courses and pay their tuition.  Not that students are angels, but later, I said to myself, and that’s just what I did.  The sequel to the book has my protagonist take on bad frat boys.

 Here’s a short description of Murder Is Academic:

diehl - Academic_final_533x800 Laura Murphy, psychology professor, thinks there’s nothing she likes better than coffee and donuts on a summer morning until she says yes to dinner with a Canadian biker and finds herself and her date suspects in the murder of her college’s president. Laura’s friend, the detective assigned the case, asks her to help him find out who on the small upstate New York college campus may be a killer. The murder appears to be wrapped up in some unsavory happenings on the lake where Laura lives. A fish kill and raw sewage seeping into the water along with the apparent drowning suicide of a faculty member complicate the hunt for the killer. And then things become personal. The killer makes a threatening phone call to Laura. With a tornado bearing down on the area and the killer intent upon silencing her, Laura’s sleuthing work may come too late to save her and her biker from a watery grave.

So, as I bite my nails and lose sleep over how this work will fare, I’d sure like to hear if others have revamped old work and then published it.  Were you as anxious about doing it as I was?  And how did it turn out for you?

Jim: Thanks, Lesley, for sharing your feelings on this.  I hope you get some good comments on what to do with those old manuscripts.

Lesley has three mystery series in print: her microbrewing series, the rural Florida series, and the Eve Appel series.  I can vouch for her books.  You can buy them at:

http://www.amazon.com/dp/B00JCV6XG8

http://store.untreedreads.com/Books/UTR9781611879414

 

The Crescent City Mysteries

Today, I’m interviewing Holli Castillo, whose background runs fromholli - author pic competing as a gymnast at the 1984 New Orleans World’s Fair, to working in many positions in theatrical productions, including performing as a Can Can girl.  After she received her JD from Loyola University, she joined the Orleans Parish District Attorney’s office. She quit the D.A.’s office when she had her first child, and is now an appellate public defender.  Sounds interesting to me.

 Jim:  How was it going from the DA’s office to public defender? Aren’t those on opposite sides of the aisle? 

 Holli:   They are the opposite sides, but the knowledge and skill translate well from one to the other. The D.A.’s job is supposed to be to present the truth and let the jury make a determination of whether the defendant is guilty or not. The defense’s job is to make sure that no one cheats in getting a conviction.  That isn’t the way it usually works out. Having done both, I can say both sides have the exact same goal–to win at any cost.  It’s not really so different in the end, and the law is the law.

 Jim:  At what stage did you decide to write?

Holli:   I have been writing stories since I was in Kindergarten and novels since I was in 6th grade.  I didn’t decide to try to write something for publication until I quit the D.A.’s Office to stay home with my first child in 2000.

 Jim:   holli - gumbo-2And how long did it take you from when you first started writing until Gumbo Justice appeared in 2009?

 HolliIt took about 4 years to write the novel.  But then Katrina hit in 2005 and in June of 2008 I was in a head-on collision with a drunk driver and was on my back for a year.  So it actually took 9 years, but only 4 of that was writing.

 Jim:  As with most of us, some personal history influences what gets written.  How did your experience in the District Attorney’s office color your novels?

 HolliNearly all of my ideas are sparked by real cases I’ve handled, either as a D.A. or a defense attorney.  The D.A.’s Office definitely gave me the inside track on how a prosecutor’s office works, especially the office dynamics and criminal procedure.  I can include all aspects of criminal prosecution in my novels.  My protag knows how to do everything I know how to do, she knows the same lingo, she knows how to cheat, etc. holli - jambalaya-2

  JimJambalaya Justice won an award before it was published.  Tell us just a little about that.

 HolliI entered it in the PSWA contest for unpublished fiction and it tied for first place. 

 Jim:  And the third in this Crescent City Mystery Series is called Chocolate City Justice. First, I have to ask, is New Orleans known as the Chocolate City?  I’ve never heard that term applied to New Orleans.

 HolliThe title comes from a speech our mayor made on the first Martin Luther King Day following Katrina.  He gave a grandiose speech about how at the end of the day, New Orleans would be a Chocolate City again, referring to the fact that more white people  were returning to the city than black people.  It caused quite a stir.

Jim: Well, I’ve learned something new today.  That’s good.  Tell us a little about Chocolate City Justice.

 Holli:  Ryan has just been assigned a real plum by prosecutor standards, a child’s birthday party massacre caught on videotape.  But as most things in New Orleans, nothing is what it seems and the case starts to turn into a nightmare.  And then along comes Katrina.  Ryan plans to evacuate, but does an unexpected favor for a friend, causing her to miss her window to escape the storm, ultimately putting her on the radar of the gang she’s prosecuting for the birthday party shooting.  But Ryan isn’t worried.  She’s handled some of the worst criminals the city has to offer, and hurricanes never hit New Orleans. Right? 

 Jim:  And when will that be available?

 Holli:  We’re still working on a release date, but I can safely say this year, sometime in 2014.

 Jim And lastly, where is the best place for us to buy your books? 

 Holli:  They are on Amazon, Barnes and Noble, and my publisher’s website, www.oaktreebooks.com

 Thanks so much for having me!

Jim:  It was my pleasure, Holli.

 

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