A Spark of Imagination

Jodie Wolfe creates novels where hope and quirky meet. She’s been a finalist in a number of contests. Today, she reveals how one bit of quirkiness managed to get into her latest novel. It’s a fun read.  I think you’ll enjoy it.

It first started with a love of guinea pigs. When my sons were young, we had several furry pets. The first to join the family was Fluffy. We didn’t know a lot about raising guinea pigs at the time. We placed our new pet in a glass aquarium so we could easily watch the new addition to the family. Our standard poodle would sit for hours on end watching the guinea pig. We called it “‘Fluffyvision”.  🙂

Unfortunately, Fluffy wasn’t as healthy as we thought, and she didn’t last overly long. My sons were soon asking for a replacement. Next came Squeakers. When we were bringing her home in the van, she squeaked the whole way, which is how she got her name. She was an incredibly intelligent guinea pig who knew to run to the refrigerator, and when opened, which drawer held the carrots – one of her favorite treats. She lived for many years. When she made an untimely demise, we went to the pet store and found two more guinea pigs – Checkers and Cocoa. By this time my sons were in high school.

One day I had a photo frame on my entrance hall table. I’d recently purchased the frame and hadn’t decided what to put in it yet. The frame came with a photo of a woman in it. One of my sons asked me who it was, and I teasingly said, “That’s your great Aunt Gertrude. She lives in Texas on a guinea pig ranch.” We spun all kinds of stories about the factitious family member.

So, when it came time to write the third book in my current series, I told my sons that the heroine’s name was Gertrude. They immediately encouraged me to somehow add guinea pigs to the story. I didn’t know if it was a feasible option since my books are set in the 19th Century. I started researching to see if it was a possibility. I learned about Queen Elizabeth I who had a guinea pig when she was a little girl. Some sites even mentioned the exotic pet trade in Virginia as early as 1627. I had enough information to know I could in fact include guinea pigs into my story.

Here’s a sneak peek at the back cover of my new book, Wooing Gertrude:

Enoch Valentine has given up finding peace for his past mistakes. He throws everything he has into being the new part-time deputy in Burrton Springs, Kansas while maintaining the foreman position at a local horse ranch. But when trouble stirs on the ranch, he questions whether he’s the right man for either job.

Peace has been elusive for most of Gertrude Miller’s life, especially under the oppressiveness of an overbearing mother. She takes matters into her own hands and sends for a potential husband, while also opening her own dress shop. Gertrude hopes to build a future where she’ll find peace and happiness.

Will either of them ever be able to find peace?

Thanks, Jodie, for giving us a peek into how some “quirkiness” got into one of you novels.  And I must add, Wooing Gertrude is available now on Amazon And dear reader, please leave Jodie a comment, maybe on how some little bit sneaks into one of your novels.  Thanks.  jim

Here’s where you can find Jodie online:

Jodie Wolfe is a member of American Christian Fiction Writers (ACFW), and Faith, Hope, & Love Christian Writers (FHLCW). She’s been a semi-finalist and finalist in various writing contests. When not writing she enjoys spending time with her husband in Pennsylvania, reading, walking, and being a Grammie. Learn more at  .www.jodiewolfe.com

The tough life of the writer: case #1,477

One of the goals for many new writers is to get an editor at one of the big, New York publishers to read their manuscript.  Lo and behold, my first book got just such a read.  Acceptance day was indeed a joyous day.

Some weeks later, I received a letter from the editor.  Not one of those canned letters: “This just doesn’t fit our current publishing schedule.” No, this was a personal letter.  He was quick to say he would not be considering my book for publication. But, he was willing to give me a reason.

It was too unrealistic.  Well, it was a murder mystery, set mainly in New York, and involving a highly prized professional athlete. I quickly scanned the story in my mind looking for this problem. What was unrealistic? Fortunately, the editor was kind enough to explain his objection. And I had to read it three times to come to grips with his objection regarding realism. He said, and I quote, “You have this person talking to his computer.”

Unrealistic?  Perhaps, I should have said, “Yelling at the computer.”   Or maybe screaming at the inanimate, pain in the neck, machine. Maybe a threat to toss it in the rubbish bin if it displayed another 401 error,  or the simple, and very helpful, “Something went wrong.” That might be more realistic.

Was this editor from the dark ages? Had he ever used a computer?  Perhaps the victim in my murder mystery should have been a computer – or an editor.

But this man was the gatekeeper for a large New York book publisher.  And for that particular company, I was locked out.  My central character was too unrealistic. Who could identify with him?

I finally decided that this was a 107-year-old editor who thought computers read holes punched into paper tape and why would I even have a human interact with a machine? Perhaps I should have labeled the book as fantasy.

Scrap that book. Begin on the next book. And let the writer stay silent if he had a beef with his machine.

A true story, highlighting the tough life of a writer.  Care to comment?

Reality and Fiction

Today’s guest is J.R. Lindermuth.  He lives and writes in a hoJ.R. Lindermuthuse built by a man who rode with Buffalo Bill Cody. A retired newspaper editor,  he is now librarian of his county historical society where he assists patrons with genealogy and research. He has published 19 novels and two non-fiction regional histories. He is a member of International Thriller Writers and a past vice president of the Short Mystery Fiction Society.

So, you can see, he is a perfect person to tackle the dichotomy of fiction and reality.

Facts are important if you’re going to write fiction.

Isn’t that a contradiction, you might ask. Not at all. Fiction is a simulation of reality. If you incorrectly present something in fiction a reader knows to be a fact you may be called out for your error or even lose that reader.

When you’re writing a story you can rely on imagination and create a world to suit your purpose. That’s called fantasy. J.R.R. Tolkien did it to the delight of his readers. So does George R. R. Martin. If the reader understands that’s your intention, it will be accepted without question. While Martin’s work is replete with dragons and magick, it’s also solidly grounded in ‘realism’ through his employment of psychology in depicting his characters and knowledge of medieval society.

This attention to facts is even more important if you’re writing about an actual time and place. You can twist things a bit to suit your purpose–that’s called fiction–so long as your reader is willing to accept your diversion from fact. For instance, if you’re writing a western your reader will accept having a character ride a horse or even a mule. Expect a frown if you seat this same character on a unicorn; that would be fantasy.

So, what can you do to help stick to reality when writing fiction? There are two tools that work well. One is called empathy. The other is research.

Empathy is vicariously experiencing the emotion, thought, or action of another person. This is a useful tool for a writer in many circumstances. However, it has its limits. Some characteristics are timeless. But if you live in the 21st century and you’re writing about the 19th century how can you be sure of depicting things accurately?

That’s where research comes in. No one has yet developed a time machine which would allow us to visit other periods and see what life was like then. We do have some good substitutes, though, which can provide an idea of what life was like in other periods.

Reading biographies, journals, histories and even fiction of the time can offer some insight. Even better choices for learning are newspapers and magazines of the period. Such journals reflect the character of the times in which they’re created; they show us what was important to people, their pastimes, their morals, their prejudices. They can give you everything you need to create believable characters of the time you’re writing about.

These valuable materials are available in collections at historical societies, in many libraries and even on line. Librarians are good at telling us where to find newspapers to suit our needs. Reading them is fun and sure to stimulate your imagination.

Such sources have been important to me in writing historical fiction. They were especially important in writing my latest, Twelve Days in the Territory, which is set in 1887 in Indian Territory (present-day Oklahoma), an area I’ve never visited. I was especially pleased when my editor, a native of the state, praised my attention to detail and efforts to ‘get it right’ about the territory in those times.

Here’s a blurb for Twelve Days in the Territory:Twelve Days in the Territory

Will Burrows, a mild-mannered school teacher, is the only man in town who volunteers to join Sheriff Gillette in pursuit of outlaws who have taken Martha Raker, the sheriff’s niece, hostage and fled into Indian Territory in the fall of 1887.

Gillette doubts Will’s suitability for the task, but the young man who has been courting Martha insists he must go. Yet even Will has doubts about his qualifications and harbors a secret which raises his fears of what they’ll face in the Territory.

Martha, a strong-willed young woman, will show courage and tenacity in the will to survive, confident in the belief she will not be abandoned by the man she loves or by her uncle.

All three will face trials the like of which they’ve never known before and they soon discover Crawford McKinney, the outlaw holding Martha is the least of their troubles.

……..

If this sounds as interesting to you as it does to me, you can take a closer look at

https://amzn.to/2RluAJ1

I can recommend it.

 

Invitation to a Party . . .

One photograph.Beyond the Sea

An empty boat on the edge of the sea.

Why is it there?  How did it get there?

The sea has washed all footprints away.  Was anybody in the boat when it landed on the beach?

What stories could it tell?

Twelve writers, members of the Underground Authors, studied the picture. And each wrote the story that the picture, the boat, whispered to them.

The result is the anthology Beyond the Sea.

Friday, May 7 at 5:30 p.m. CDT, the group will host a virtual launch party on FaceBook.  All of the authors will be there, ready to answer questions, give “the story behind the story.”  And there will be prizes that those who attend will have a chance to win.

Try to join us for this virtual launch – and see what the boat whispered in our ears.  Click   https://bit.ly/3ams2AG   to see the event page.

Of course, if you can’t wait, the book is available right now on Amazon at  https://amzn.to/3sZ0O9W  in digital.  Paperback copies will be available at the launch.

IMPORTANT NOTE:  Profits from Beyond the Sea will be donated to Team Rubicon, an organization that helps with disaster relief (a 501C3 recognized charity).

 

 

Right Brain, Left Brain

In the summer of 2020, I had a major medical problem.  This is not a complaint.  Everything came out okay – eventually.  I was in the hospital for a month.  This included three surgeries, ten days in ICU, and four days when I was “unresponsive.”

After the month in the hospital, I spent the better part of the next month in bed.

But after those two months, I was at least beginning to think about a “more normal” life. My brain was functioning.

Sort of.

Prior to entering the hospital, I had A Plot for Murder almost finished and was looking forward to a fall release.  With the book nearly finished, that was still a possibility. But a strange situation occurred.

We had planned to remodel the kitchen, and I began to draw up plans.  Of course these went through several iterations as we refined what we wanted, and what would fit into the overall space available. Part of this had to deal with retrieving some “lost space” where the builder had left small areas empty behind walls.  We got the blueprints and decided to utilize some of those little bits. When combined with the space currently in use, this allows us greater freedom in our design.

All of this went along easily.

But, when I sat at the computer to work on finishing the novel, nothing happened. I could put down words, sentences. But I was having trouble concluding the book.  My imagination was gone.  And the words I put down, now at a critical part of the book, were flat. There was no feeling in them, no imagination, no rhythm in the sentences.

This situation continued for over a month.  Good work on drawing plans for the kitchen. Uninspiring words for the novel.

And then one day, I wrote a paragraph I liked. Over the next week, the way to handle the ending began to come into view. Paragraphs began to fit together. The ending worked well.

Sometime later, I realized what was happening. My left brain had come back to life first. My right brain lagged behind. Strange. My hospitalization had nothing to do with the brain. No head injury.

But it certainly appeared as if the left brain woke up and started to work faster than the right brain.

Perhaps there is a message for me here.

jim

From the first sentence, it captures your attention and carries you on an intriguing mystery-solving adventure.” Avid reader Sharon S.

I’ve read so many mysteries/suspense stories that all sound alike. A Plot for Murder is very distinctively and enjoyably different.” R. Bruner.

Rod Granet, award-winning novelist and womanizer, is the main speaker at a writers conference. But after the opening session and in front of a crowd, Maggie DeLuca, Father Frank’s sister, accuses Granet of stealing her story and says he will pay.

That night, Granet is killed.

The sheriff quickly zeros in on Maggie and she is hauled off in handcuffs. When Father Frank comes to her aid, the sheriff threatens him with jail if he interferes.

A Texas Ranger is assigned to the investigation. He sees Father Frank as a valuable asset. Even as the sheriff continues to harass Father Frank and interrogate Maggie, the Ranger pushes Father Frank to get more involved, telling him the sheriff considers Maggie his only  suspect. Father Frank is faced not only with his sister being the prime suspect in a murder case, but also threatening letters, a rifle shot through his car as he drives across a bridge, and the sheriff’s promise to put him in jail if he investigates the murder.

Can Father Frank stay out of jail and alive, and find the real

 

If you’d like to order a copy of A Plot for Murder: Murder at the Writers Conference, use this link which will offer you a choice of formats and retailers.    https:books2read.com/u/mYAW2P

 

I didn’t die, but . . .

I know it’s been awhile since I last wrote.  But, I didn’t die.  Some of the trees did! We took a trip out west and when we got back to Texas, well … we couldn’t get home – at least not quickly.

That was just the start.  Apparently there had been an incredible amount of rain.  And then strong, erratic winds.  Many live trees were toppled, simply uprooted. These ranged from 100-foot tall pines to old oak trees.

When I cut through one of the oak trees and counted the rings, it was about 60 years old.

I still don’t know exactly how many huge trees came down – more than I have managed to clean up so far.  But, I’ve taken on the role of lumberjack. And not being Paul Bunyon, it’s taking me awhile. Good exercise.  Next week, I’m back on the computer, at least for a few hours.  I feel another book wanting to hit the pages.

Thanks for putting up with my rambling. I’ll stop – and go crank up the chainsaw.

jim

 

The Glamorous Life of a Writer

Today, writer and international speaker Jennifer Slattery talks about the glamorous life of a writer.  It’s a fun read and maybe we can see ourselves in the title role.  Jennifer has published six contemporary novels, maintains a devotional blog, and works on several fronts to help women realize their true worth.  But now, here is that glamorous life.

Whoever writes authors into movies have never met any in real life. At least, they’ve never met this writer.

Considering all my mishaps, I should probably write romcom.

A few summers ago, threw away my favorite black pair, fully intending to replace them. Once I finished that story, then that article, then that next blog post …

Mid-August rolled around, and I began packing for what I knew would be a whirlwind trip–a conference where I’d be speaking and teaching three classes, followed by a book signing, with a day and a half home before heading to an author event followed by another conference.

So there I was, planning what to wear and … no black flats, and no time to hit the mall. Luckily (ha!) our daughter, who was still living with us at the time, owned a really cute pair of pumps, so I tossed them in my suitcase, closed it up, and was good to go.

Eh …

Saturday rolled around, the last day of the conference and the day of my book signing. By this point, I was also down to one outfit–the one needing those black pumps. So, on they went.

And I quickly remembered how long it’d been since I’d worn heels. And that my daughter’s feet are wider than mine. So here I am, trying to look all professional while wobbling around, about ready to topple over, in my daughter’s much too high heels. To make things worse, every third step one of my shoes actually slipped off, nearly sending me flat on my face.

All while I was trying to act all bookishly professional–and everyone I encounter, including the bookstore owner hosting me, is doing there best not to laugh out loud.

Grown woman, acting like a teenager in her first pair of heels. Oy.

I wish I could say wardrobe malfunctions during book signings are rare events, but …

I was on another trip, this time in Des Moines. Once again, it was a whirlwind weekend with back-to-back speaking engagements followed by a signing. By my last event, I was down to my last outfit–the one I was wearing. The others were not so neatly packed in my suitcase in the trunk. Add to this the fact that it was freezing out–not sure capris and strappy sandals were a great idea.

With goosebumps exploding across my arms and my lips turning a deep shade of blue despite my heavily applied lipgloss, I decided to buy some coffee.

Did I mention I was wearing white capris? You know where this is going, don’t you? I experienced a momentary rush of warmth, followed by a rush of panic.

A writer’s life. Isn’t it glamorous?

Do you have any wardrobe fails to share? It would make me feel better. Seriously. 😉

Just add a comment below and tell us your memorable wardrobe …  events.

Jennifer ‘ latest book is Restoring Her Faith.  Here’s a brief blurb on it.

She left belief behind…Yet this family could change her mind.

With two boys to raise, a fledgling contracting business to run and a family ranch to keep afloat, widower Drake Owens finds his hands aren’t just full they’re overflowing. When Faith Nichols is hired to help him renovate the church, he’s drawn to the beautiful artist, but he can’t fall for a woman who isn’t a believer. Can love restore her faith and his heart?

You can find Restorying Her Faith by clicking here HERE .

 

What Makes a book a good ‘tiger’ book?

Gallery

This gallery contains 1 photo.

Today’s guest blogger is Elaine Faber, who lives in northern California with her husband and multiple feline companions. She is a member of Sisters in Crime, California Cat Writers, and Northern California Publishers and Authors.  She has two series going, … Continue reading

Why and How

A couple of weeks ago, I sent a scene that was cut from A Silver Medallion to several friends.  The response was gratifying to say the least. They not only liked it, but questioned why it had been left out.  They felt it was a powerful scene.  It’s a little long for a blog, but I wanted to share it with you.  And I’d love to hear your reaction to it. Rosa has been found in a shed at Eula’s house.

Crystal began again the painstaking task of discovering what had brought this beautiful young Mexican woman to Eula’s home in the piney woods of East Texas. Gradually, in a mix of Spanish and English, her story emerged.

She was twenty-three years old and until a year ago, she and her husband, Miguel, had been living in Santiago, Mexico. They were anxious to start a family, “to make niños,” she said. But neither could find a decent job. They had no training and when they did get work, often they earned no more than fifty pesos a day.

Crystal whistled. “Fifty pesos! That’s about five dollars. A day. Can you believe that, Nana?”

Rosa smiled self-consciously and continued. She and Miguel lived with her parents, and had only a two by three-meter room to call their own.

One day, Federico, a man they had seen around Santiago but did not know, offered to buy them a beer—a luxury they rarely had. They accepted. Inside the dark cantina, the three talked about the town, the weather, and work. When Miguel complained that good jobs were impossible to find, Federico replied that much money was to be made in the United States. He spoke of making ten, fifteen, even twenty times as much as they could make in Mexico.

“Federico say he has friend who make thirty times more than Miguel make in Santiago.”

Rosa looked from Crystal to Eula, as if asking them to understand. After a moment, Rosa continued her story.

For several days, she and Miguel could think of nothing else. At night, huddled together on their tiny bed, they would whisper about going to the United States, making lots of money, then lots of babies. Maybe someday they would buy a car, maybe have a house all their own. They laughed, thinking of the possibilities. Then morning would arrive, and as they ate breakfast of tortillas and beans in the kitchen with her parents and her two brothers and three sisters, reality would set in.

Miguel would go out and try to find work. Most days he got nothing. On lucky days, he might make sixty pesos. When Rosa could not find work, she would help her mother wash clothes in the river, pat out tortillas, or tend their small garden.

Then at night, wrapped in each other’s arms, Rosa and Miguel would grin as they talked about making twenty or thirty U.S. dollars for just one day. If they both worked, maybe even fifty dollars. That would be more than 500 pesos in a single day! They would giggle and hug each other tighter. Such a large amount was not possible, but it excited them just to imagine such things.

Rosa grew quiet and gazed out toward the lake. A cool breeze carried a single, golden leaf to the edge of the veranda. After a minute, she started again.

Rosa and Miguel wanted to talk to Federico again, to ask him more about work in the United States, but they would need to return his generosity. They spread all their money on the bed. They had enough pesos for two beers. They should not spend it on that, but searching each other’s eyes, they nodded and left the house to look for Federico.

They found him near the cantina and Miguel offered to buy him a beer. Inside, Rosa declared she was not in the mood for beer; she really wanted some cool water. As Federico drank, they asked him how his friend got to the United States. Federico said to get there and find a job was very expensive.

Rosa squeezed her eyes closed to hold back the tears. They had no money. They would never have enough.

Miguel took a sip of beer, then raised his eyebrows and looked at Federico. “Your friend. Was he rich before he went?”

“No. He was as poor as you, my friend. A man paid his expenses.”

Miguel stared at Federico. “I wish I knew such a man.”

 

A week later, Federico stopped them on the street.

Señor Jose de Allende knows a man in Texas who needs a maid.”

Rosa and Miguel looked at each other, grins spreading across their faces.

Federico smiled and continued, “Señor Jose will pay all the expenses to get Rosa to Texas.”

Rosa wanted to jump up and down, scream for joy, and give Federico a hug. But that was not done in Santiago. She tried to sound calm and simply asked, “When would I go?”

“You would leave in four days.”

“Can I go with her?” asked Miguel. “I can look for work after we get to Texas?”

“No. You will stay and work for Señor Jose until Rosa saves enough money to repay Señor Jose. And both of you must save money to pay for Miguel’s trip to Texas.”

“What is the cost? And how much will Rosa make?” Miguel asked.

Señor Jose has that information. You can ask him before you leave.”

For days, their waking hours were filled with dreams of Rosa working in Texas, and calculating how much she might save. She would buy no clothes, no shoes. She would eat little and spend less. She would save everything possible. She would save money faster than anybody ever had. Miguel would come to Texas soon.

For just a moment in the fading light on Eula’s veranda, a sparkle flitted in Rosa’s dark eyes. “We are much happy. We talk of nothing but go to Texas. We see pictures of Texas on TV in cantina. All people has car, house. I say I keep all my pay, spend nada. Soon mi esposo come to Texas.” As quickly as the shine had come to her eyes, it vanished, replaced by a vacant stare.

“So, this Jose guy arranged it?” asked Eula.

Rosa nodded.

“How did you get here?” Crystal asked.

“It is horrible. We drive two days, five of us in back of car. We only stop for petrol, get tortillas and beans. They make us do bad things. Next night, they put us in boat to cross river. Say make no sound or Americans shoot us. I am so afraid. We are too many for boat but they put all in. I think it go down in water. I no can swim. I want to run, go back to Miguel. But I think of money I make in Texas. Think when my Miguel come to me. I bite my lip, make no sound.”

Crystal bit her lip, trying to hold back the tears. The fear tasted bitter, fear of being packed in a vehicle headed for an unknown destination in a country you had never seen, then forced into an overcrowded boat at night, unable to swim. All manner of sinister situations popped into Crystal’s mind. How desperate Rosa had to have been to risk all on such an uncertain venture.

Rosa told how they were pulled out of the boat, then put them in the back of a truck. She could hear them snap a lock shut. The truck lurched off, throwing those in the back first to one side and then the other.

“We have no light. I can see nada. Smell is asqueroso. After many hours, truck stop and I hear man open lock. When door open, light is so bright we no can look. Sun is very hot. We are in little park with baño. They give us cold hamburger, put us back in truck. They lock door and drive more hours. The heat–I think I pass out. We have no water.”

The Mexican woman closed her eyes and continued in a whisper, “Felipe start to shake. His skin is muy hot, but he say he is cold. We yell, hit wall with fists, but truck no stop.”

Eula shook her head and sighed. “My God.”

Eyes still closed, Rosa’s voice grew even softer and Crystal had to lean close to hear. “When we stop, we carry Felipe out. We are at small stream. We try give him water. But he is no breathing.” She made a small sound, as if she were trying to catch her breath. “Man say he is dead. Put us back in truck. I no know what they do with Felipe.”

Rosa stared down at her hands, clutched together in her lap.

Crystal shivered in horror-struck silence. Felipe died of heat stroke and the smugglers just dumped his body.

“Damn murderers,” Eula muttered.

For a long time, the three sat in silence. Was that the end of the story? Crystal was almost afraid to ask, but she had to know. “What happened next?”

For awhile, Rosa remained silent. Then, without looking up, she continued in a voice now devoid of feeling, “We stop. Door open and we get out. We are in building. They make us take off clothes. All clothes. Antonio say he no do it. Señor Blackwood hit him on head with piece of metal, drag him off. I no see Antonio again. I think he is dead. They take . . .” Her eyes closed.

Crystal and her grandmother exchanged glances, but neither uttered a word.

Rosa continued. “Things. Man give us new clothes. We dress. Others go back in truck. I stay there.”

The sun had slipped below the horizon and darkness sifted down through the trees to envelop the landscape. Light from the living room cast a soft glow on the veranda. Crickets began their nightly serenade, while frogs added the bass notes. Night birds called to one another.

Under normal circumstances, Crystal would sit back and enjoy the night sounds of The Park. Tonight, she tuned them out, waiting for Rosa to finish her story, wanting to hear it—and afraid to.

When she could stand the silence no longer, Crystal asked, “Where was that? Where did you stay?”

“At house of Señor Blackwood. I stay there, until ayer.”

Crystal shuddered. Being forced to undress in front of strangers … to suddenly have no control over your life.

What work did Rosa do? How long did she stay? Did Blackwood demand sexual favors? How did she get away and how did she get to The Park? A thousand questions swirled around in Crystal’s mind, all demanding answers.

The young woman seemed so distraught, so on edge, the wrong question might destroy any chance of hearing the rest of the story, perhaps cause her to run away from The Park. That would be easiest on Crystal¾and Nana. But, the Mexican woman had suffered so much already. She needed their help. Besides, Crystal was so far into this mystery she had to find some answers.

“How long, quanto tiempo, did you work for Mr. Blackwood?” Crystal asked.

“Eleven meses,” Rosa said.

“Eleven months!”

“Why’d you stay so long?” Eula did not share Crystal’s fear of frightening the woman into silence, or flight. “I’d have said, ‘So long Blackheart. I’m out of here.’”

“Were you free to leave?” asked Crystal.

Rosa furrowed her brows and said nothing.

Crystal tried again. “Would Mr. Blackwood allow you to leave?”

Rosa shook her head. “No. He say, I leave, or talk to people, Miguel have accident.”

A few seconds passed before the full meaning penetrated Crystal’s understanding. Rosa could not leave without putting her husband in serious danger. Crystal clamped her mouth shut lest her anger erupt in a scream.

Eula leaned toward the Mexican woman. “How much did you save?”

Vertical grooves formed between Rosa’s black eyebrows. “No entiendo.”

Unlike her usual delivery, Eula now spoke slowly, pronouncing each word carefully. “In eleven months, how much money did you save?”

Eula raised her bushy, gray eyebrows at Crystal.

Crystal took a deep breath, trying to calm herself, and turned to Rosa. “Why did you save nothing? How much did Mr. Blackwood pay you?”

“He say he pay me minimal wage.”

“I’d bet on that,” muttered Eula.

“Was it ‘minimum’ wage?” Crystal asked.

Si. Minimum wage. But when I asked him for my money, he say he take money for food I eat, room I sleep in.”

Crystal and Eula exchanged looks, but said nothing. Even at minimum wage, she should have made over ten thousand dollars.

“I tell him I eat less. Other time, he say he take money for clothes.” Her shoulders, her mouth, her very spirit, sagged. “Sometime I get five dollars. One time I get ten dollars.”

Crystal frowned. “Five dollars? For a whole day?”

Rosa shook her head. “No day. Un mes.”

“Five bucks for a month. What’d you do for this Blackwood guy?” Eula snapped.

Crystal had wanted to ask the same question, but hesitated. She held her breath, afraid of the answer, angry before it came.

“I do all things. I cook. I clean house. I wash clothes. Plancha.”

“Iron,” Crystal translated for Eula.

“I fix yard, grass. I wash car. I do all things.”

Crystal leaned toward Rosa. “You did all these things and you never got more than ten dollars for a whole month?”

Rosa nodded.

Eula swore under her breath. “Damn crook. He ought to be hung up by his—“

“Nana!”

“She won’t know what I’m saying. And anyways, he ought to be.” Eula softened her tone and leaned toward her guest. “Why’d you leave yesterday?”

Rosa turned away and this time, silent tears started to run down her cheeks. Crystal’s eyes misted over and she wanted to take the young woman in her arms and rock her. Instead, she looked toward the tranquil lake, hoping it might uncoil her stomach, shield her from the anguish permeating the veranda like a dense fog.

Darkness had descended, and off to the left, a slender crescent moon had emerged from behind the pine trees. A thin cloud sliced across the upper part of the silver moon. It appeared like a dagger. A dagger aimed at Rosa.

“Three days back, woman come to work at house. She come from Mexico. We talk. She hear of Miguel, mi esposo. She tell me . . .” Her voice broke and moments passed before she could continue. “. . . he is dead.” The tears started again.

“Dead?” Crystal felt like someone had hit her in the chest. “What happened?”

Rosa wiped her eyes and opened her mouth, but the crush of emotion prevented words from forming. A minute passed, and then another before she could answer. “Lucita tell me he get hurt working at hacienda. Jose no let him go to doctor. Two weeks, he die. She tell me they bury him . . . el mes pasado.”

“Last month!” It exploded almost as a scream. Crystal could feel the vein in her neck throbbing.

She slid over and put her arms around Rosa. The young woman, ramrod straight and somewhat distant until now, melted against Crystal as sobs shook her small body.

Crystal rocked the swing slowly, gently patting Rosa. The woman’s sobs gradually subsided, but an occasional low moan verified her continued grieving.

Crystal held Rosa tightly, both to give the young Mexican woman comfort and to ward off the sudden chill seeping into her. Crystal was not married yet. But she had lost both parents when she was seven and her pain had seemed hopeless for such a long time. No one could comfort her. No one could comfort Rosa.

And then, the chill was gone, replaced by a rising heat. It enveloped Crystal’s stomach first. It moved to her head so that her face felt feverish and she rubbed a hand across her brow, expecting to find beads of sweat. Her breathing accelerated, now rapid and shallow, and her jaw twitched as she clenched her teeth. This Blackwood person had kept Rosa a prisoner, locked in by threats and fear of what would happen to her husband if she left. And when Miguel died, this . . . creature . . . didn’t even tell Rosa.

Bile rose in Crystal’s throat. That Rosa ever found out Miguel was dead was an accident. Jose and Blackwood did business together. Blackwood undoubtedly knew of Miguel’s death long before Rosa found out. But of course he didn’t tell her. That would break the lock on her chains. His slave might escape. 

Crystal’s nails dug into the palm of her hand.

Somehow, Blackwood must be stopped.

 

A Silver Medallion, in paperback and digital formats.  http://amzn.to/1WxoEaF   

“A Silver Medallion is a gripping, action-packed adventure from talented author James Callan.” NY Times Bestselling Author Bobbi Smith.                                     “A Silver Medallion reads like a gold-medal thriller.” BookLife Prize in Fiction.  Readers’ Favorite Book Award Winner.

I welcome your comments.  Thanks,  jim